Asian Studies LibGuide

Designed for the East Asian history course, these texts feature the latest scholarship on the region and offer a range of cultural, political, economic, and intellectual history. Coverage is balanced among East Asian regions, with approximately 20 percent of the complete volume focused on Korea, an area that has become increasingly important in East Asian courses and in world politics.Special attention is devoted to coverage of gender and material culture, themes that are reinforced through the text's pedagogical features. Color inserts illustrate the rich artistic heritage of East Asia and bolster the coverage of material culture.

Far more than a history of the Silk Roads, this book is truly a revelatory new history of the world, promising to destabilize notions of where we come from and where we are headed next. From the Middle East and its political instability to China and its economic rise, the vast region stretching eastward from the Balkans across the steppe and South Asia has been thrust into the global spotlight in recent years. Frankopan teaches us that to understand what is at stake for the cities and nations built on these intricate trade routes, we must first understand their astounding pasts.   Frankopan realigns our understanding of the world, pointing us eastward. It was on the Silk Roads that East and West first encountered each other through trade and conquest, leading to the spread of ideas, cultures and religions. From the rise and fall of empires to the spread of Buddhism and the advent of Christianity and Islam, right up to the great wars of the twentieth century--this book shows how the fate of the West has always been inextricably linked to the East. Also available: The New Silk Roads, a timely exploration of the dramatic and profound changes our world is undergoing right now--as seen from the perspective of the rising powers of the East.

A common misconception holds that Marco Polo "opened up" a closed and recalcitrant "Orient" to the West. However, this sweeping history covering 4,000 years of international relations from the perspective of China, Japan, Korea, and Southeast Asia shows that the region's extensive involvement in world affairs began thousands of years ago. In a time when the writing of history is increasingly specialized, Warren I. Cohen has made a bold move against the grain. In broad but revealing brushstrokes, he paints a huge canvas of East Asia's place in world affairs throughout four millennia. Just as Cohen thinks broadly across time, so too, he defines the boundaries of East Asia liberally, looking beyond China, Japan, and Korea to include Southeast Asia. In addition, Cohen stretches the scope of international relations beyond its usual limitations to consider the vital role of cultural and economic exchanges. Within this vast framework, Cohen explores the system of Chinese domination in the ancient world, the exchanges between East Asia and the Islamic world from the thirteenth to the seventeenth centuries, and the emergence of a European-defined international system in the eighteenth and nineteenth centuries. The book covers the new imperialism of the 1890s, the Manchurian crisis of the early 1930s, the ascendancy of Japan, the trials of World War II, the drama of the Cold War, and the fleeting "Asian Century" from the mid-1970s to the mid-1990s. East Asia at the Center is replete with often-overlooked or little-known facts, such as: * A record of persistent Chinese imperialism in the region * Tibet's status as a major power from the 7th to the 9th centuries C.E., when it frequently invaded China and decimated Chinese armies * Japan's profound dependence on Korea for its early cultural development * The enormous influence of Indian cuisine on that of China * Egyptian and Ottoman military aid to their Muslim brethren in India and Sumatra against European powers * Extensive Chinese sea voyages to Arabia and East Africa--long before such famous Westerners as Vasco da Gama and Christopher Columbus took to the seas East Asia at the Center's expansive historical view puts the trials and advances of the past four millennia into perspective, showing that East Asia has often been preeminent on the world stage--and conjecturing that it might be so again in the not-so-distant future.

From the founding of the Ming dynasty in 1368 to the start of the Opium Wars in 1841, China has engaged in only two large-scale conflicts with its principal neighbors, Korea, Vietnam, and Japan. These four territorial and centralized states have otherwise fostered peaceful and long-lasting relationships with one another, and as they have grown more powerful, the atmosphere around them has stabilized. Focusing on the role of the "tribute system" in maintaining stability in East Asia and in fostering diplomatic and commercial exchange, Kang contrasts this history against the example of Europe and the East Asian states' skirmishes with nomadic peoples to the north and west. Although China has been the unquestioned hegemon in the region, with other political units always considered secondary, the tributary order entailed military, cultural, and economic dimensions that afforded its participants immense latitude. Europe's "Westphalian" system, on the other hand, was based on formal equality among states and balance-of-power politics, resulting in incessant interstate conflict. Scholars tend to view Europe's experience as universal, but Kang upends this tradition, emphasizing East Asia's formal hierarchy as an international system with its own history and character. This approach not only recasts our understanding of East Asian relations but also defines a model that applies to other hegemonies outside the European order.

Rhoads Murphey offers a history of China, Japan, Korea, Vietnam and parts of Southeast Asia which includes coverage of everyday life, the environment and women. The text also includes biographies of key figures and is highly illustrated.

A surprising, gripping narrative depicting the thinkers whose ideas shaped contemporary China, India, and the Muslim world A little more than a century ago, as the Japanese navy annihilated the giant Russian one at the Battle of Tsushima, original thinkers across Asia, working independently, sought to frame a distinctly Asian intellectual tradition that would inform and inspire the continent's anticipated rise to dominance. Asian dominance did not come to pass, and those thinkers--Tagore, Gandhi, and later Nehru in India; Liang Qichao and Sun Yatsen in China; Jamal al-Din al-Afghani and Abdurreshi al Ibrahim in the ruins of the Ottoman Empire--are seen as outriders from the main anticolonial tradition. But Pankaj Mishra shows that it was otherwise in this stereotype-shattering book. His enthralling group portrait of like minds scattered across a vast continent makes clear that modern Asia's revolt against the West is not the one led by faith-fired terrorists and thwarted peasants but one with deep roots in the work of thinkers who devised a view of life that was neither modern nor antimodern, neither colonialist nor anticolonialist. In broad, deep, dramatic chapters, Mishra tells the stories of these figures, unpacks their philosophies, and reveals their shared goal of a greater Asia. Right now, when the emergence of a greater Asia seems possible as at no previous time in history, From the Ruins of Empire is as necessary as it is timely--a book essential to our understanding of the world and our place in it.

Gender, Continuity, and the Shaping of Modernity in the Arts of East Asia, 16th-20th Centuries explores women's and men's contributions to the arts and gendered visual representations in China, Korea, and Japan from the premodern through modern eras. A critical introduction and nine essays consider how threads of continuity and exchanges between the cultures of East Asia, Europe, and the United States helped to shape modernity in this region, in the process revealing East Asia as a vital component of the trans-Pacific world. The essays are organized into three themes: representations of femininity, women as makers, and constructions of gender, and they consider examples of architecture, painting, woodblock prints and illustrated books, photography, and textiles. Contributors are: Lara C. W. Blanchard, Kristen L. Chiem, Charlotte Horlyck, Ikumi Kaminishi, Nayeon Kim, Sunglim Kim, Radu Leca, Elizabeth Lillehoj, Ying-chen Peng, and Christina M. Spiker.

"This catalogue explores New York's superlative private collections of Japanese, Chinese and Korean art through a broad and diverse selection of paintings, calligraphy, sculpture, ceramics, and lacquerware that reflect the highest achievements of the classical traditions of East Asian culture. Leading authorities of Asian art discuss the objects within the dynamic context of East Asia as an enduring cultural sphere, offering an expanded view of the art of this region as it traversed national boundaries, transforming and being transformed in the process."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Still regarded as a monumental survey of Eastern art, this comprehensive volume was intended for art collectors and general readers as well as travelers and scholars. It covers China and Korea in addition to Japan, and places a special emphasis on Buddhist influences. Ernest F. Fenollosa (1853-1908) was an educator who helped introduce Westerners to traditional Japanese art forms.

Focussing on music traditions, these essays explore the policy, ideology and practice of preservation and promotion of East Asian intangible cultural heritage. For the first time, Japan, Korea, China and Taiwan - states that were amongst the first to establish legislation and systems for indigenous traditions - are considered together. Calls to preserve the intangible heritage have recently become louder, not least with increasing UNESCO attention. The imperative to preserve is, throughout the region, cast as a way to counter the perceived loss of cultural diversity caused by globalization, modernization, urbanization and the spread of the mass media. Four chapters - one each on China, Korea, Taiwan and Japan - incorporate a foundational overview of preservation policy and practice of musical intangible cultural heritage at the state level. These chapters are complemented by a set of chapters that explore how the practice of policy has impacted on specific musics, from Confucian ritual through Kam big song to the Okinawan sanshin. Each chapter is based on rich ethnographic data collected through extended fieldwork. The team of international contributors give both insider and outsider perspectives as they both account for, and critique, policy, ideology and practice in East Asian music as intangible cultural heritage.

This extraordinary one-volume guide to the modern literatures of China, Japan, and Korea is the definitive reference work on the subject in the English language. With more than one hundred articles that show how a host of authors and literary movements have contributed to the general literary development of their respective countries, this companion is an essential starting point for the study of East Asian literatures. Comprehensive thematic essays introduce each geographical section with historical overviews and surveys of persistent themes in the literature examined, including nationalism, gender, family relations, and sexuality. Following the thematic essays are the individual entries: over forty for China, over fifty for Japan, and almost thirty for Korea, featuring everything from detailed analyses of the works of Tanizaki Jun'ichiro and Murakami Haruki, to far-ranging explorations of avant-garde fiction in China and postwar novels in Korea. Arrayed chronologically, each entry is self-contained, though extensive cross-referencing affords readers the opportunity to gain a more synoptic view of the work, author, or movement. The unrivaled opportunities for comparative analysis alone make this unique companion an indispensable reference for anyone interested in the burgeoning field of Asian literature. Although the literatures of China, Japan, and Korea are each allotted separate sections, the editors constantly kept an eye open to those writers, works, and movements that transcend national boundaries. This includes, for example, Chinese authors who lived and wrote in Japan; Japanese authors who wrote in classical Chinese; and Korean authors who write in Japanese, whether under the colonial occupation or because they are resident in Japan. The waves of modernization can be seen as reaching each of these countries in a staggered fashion, with eddies and back-flows between them then complicating the picture further. This volume provides a vivid sense of this dynamic interplay.

Finding Wisdom in East Asian Classics is an essential, all-access guide to the core texts of East Asian civilization and culture. Essays address frequently read, foundational texts in Chinese, Japanese, Korean, and Vietnamese, as well as early modern fictional classics and nonfiction works of the seventeenth century. Building strong links between these writings and the critical traditions of Confucianism, Buddhism, and Daoism, this volume shows the vital role of the classics in the shaping of Asian history and in the development of the humanities at large. Wm. Theodore de Bary focuses on texts that have survived for centuries, if not millennia, through avid questioning and contestation. Recognized as perennial reflections on life and society, these works represent diverse historical periods and cultures and include the Analects of Confucius, Mencius, Laozi, Xunxi, the Lotus Sutra, Tang poetry, the Pillow Book, The Tale of Genji, and the writings of Chikamatsu and Kaibara Ekken. Contributors explain the core and most commonly understood aspects of these works and how they operate within their traditions. They trace their reach and reinvention throughout history and their ongoing relevance in modern life. With fresh interpretations of familiar readings, these essays inspire renewed appreciation and examination. In the case of some classics open to multiple interpretations, de Bary chooses two complementary essays from different contributors. Expanding on debates concerning the challenges of teaching classics in the twenty-first century, several pieces speak to the value of Asia in the core curriculum. Indispensable for early scholarship on Asia and the evolution of global civilization, Finding Wisdom in East Asian Classics helps one master the major texts of human thought.